Marissa Solini: The Apron Wearers
(Corrine Woodman Gallery I)
Lauren Sharpton: The Exquisite Corvallis
(Corrine Woodman Gallery II)
Sept 6 – October 7, 2017
- Conversation from the Corrine Woodman Gallery (artist discussion), Sept 7, noon
- Closing reception Thursday, Oct 5, 5:30 – 7:30
Marissa Solini and Lauren Sharpton are both interested the concept of “community as a phenomenon,” but there stops the comparison between the two. Solini’s work is about a specific community, and Sharpton’s work is with the community.
The community Solini’s work reflects is that of women of her Grandmother’s and Mother’s generation; a time when women’s work was never done, and the standard uniform of the day included an apron. In The Apron Wearers Solini intends to honor women and their valuable, often unrecognized roles in society. She uses the aprons as a metaphor of the unspoken legacy of the women who wore these aprons.
Solini works in oil and watercolor. The oil paintings are life size “portraits” of aprons as they hang from a hook on the wall. Her watercolors are a further exploration of the apron as a keepsake, a precious memento. Solini has become a serious collector: she currently owns 85 aprons, many weathered and old as witnesses of the hard work done by their previous owners. The fabric patterns in the vintage aprons transport us to times gone by.
Thanks to volunteer Craig Hamnquist for creating this lovely survey of the show.
Lauren Sharpton’s work is locally known from the Birkenstock window project, and the Microbiome: To See the Unseen exhibit. Her goal is to involve the community in the art-making process – to encourage people to make marks, creating a final piece of artwork together.
The Exquisite Corvallis project/exhibit is based on the “Exquisite Corpse” method (google it!), encouraging collaboration, conversation, and connection. It asks the community of Corvallis to create their own hidden masterpiece one person and one section at a time. A stark and seemingly empty space will fill up over time as viewers choose to interact, participate, and develop an art installation.
Three blank rolls of paper will be installed separately along the gallery walls. Visitors/participants will be prompted to participate and continue a drawing where the last person stopped. Only a few lines will be available for inspiration. That participant will be asked to roll up the paper so that only a few lines of their drawing shows to the next person. A week prior to the exhibition’s closing the three artworks will be revealed and exhibited to the community that helped create it.